Jian Debin Chinese Artist.

Still Lifes by Vincent Clare (1855-1930) British Victorian Painter

Landscape Painter Ramon Vilanova Spanish Artist

Immersed in Silence

Rincon Ilena

Quiet Sea

Del Rosal Prestado

Suave Decline

Nature

Grocs i Vermells En El Camp

Ramon Pujol Spanish Artist

Park in Portofino

Capri

>Churs

>San Giorgio, Portofino

>Shops At La Piazzetta

>Reflections of Portofino

Carl Spitzweg (1808 - 1885) German Painter of Biedermeier era

The Widow

Carl Spitzweg, a German romanticist painter, came from well to do middle class circumstances and originally worked as a pharmacist. He is considered as one of the most important representatives of the Biedermeier era.
Thanks to his established position in society and an inheritance, he could follow his real calling and dedicate himself entirely to painting. Spitzweg was a self-taught artist, however he insisted on acknowledgement as a professional artist. In 1868 the painter was named honorary member of the Munich Art Academy. Spitzweg sold around 400 paintings during his lifetime.
For the most part Spitzweg's small-format genre paintings show untroubled small town life or country idylls with an ironic, yet kind-hearted accent.

Newspaper Reader in a Garden

The Letter Messenger in Rosenthal

Paul Klee (1879–1940): "I cannot be understood at all on this earth."

Paul and Lily Klee, Bern, 1935

Paul Klee was born in Münchenbuchsee near Bern. His father, Hans Klee and his mother Ida Maria Frick were musicians; and Klee himself was a talented violinist.
Klee studied drawing and painting in Munich for three years (1898–1901). In 1911 he became involved with the German Expressionist group Der Blaue Reiter (The Blue Rider), founded by Wassily Kandinsky and Franz Marc. Klee and Kandinsky were lifelong friends. Although Klee worked in relative isolation, experimenting with various styles and media. His work was influenced by the Cubism of Pablo Picasso and Georges Braque, and the abstract translucent color planes of Robert Delaunay.

Paul Klee 'Hermitage' 1918, watercolor

Paul Klee

The turning point in his life and career was his traveling to Tunisia in 1914 with his artist friends August Macke and Louis Moillet, and lives in Tunis and Kairouan. Klee discovers colour. There Klee gradually detached color from physical description and used it independently, which gave him the final needed push toward abstraction. “Color possesses me. I don't have to pursue it. It will possess me always, I know it. That is the meaning of this happy hour: Color and I are one. I am a painter.” The view of the mosque in Hammamet with Its Mosque demonstrates Klee's path toward abstraction. He had turned his back to nature and never again painted after the model. Preoccupied with the ring of words, titles played a major part in his work - his titles set up the perspectives from which he wanted the works to be seen.

Paul Klee - Southern (Tunisian) Gardens, 1919

In 1920 Klee was invited to join the faculty of the Bauhaus - the school of architecture and industrial design functioning first in Weimar (1919–25) and then Dessau (1925–32) where he taught 10 years. In 1931 Klee started teaching painting at the Academy of Fine Arts in Düsseldorf. In 1933, Paul Klee was defamed by the Nazi regime as a “degenerate artist”, and left Düsseldorf to immigrate to Bern with his wife Lily Klee-Stumpf. His son Felix Klee (born 1907), a theatre and opera director, remains in Germany, together with his wife Euphrosine Klee-Grejowa. Personal hardship and the increasing gravity of the political situation in Europe are reflected in the somber tone of his late work.

Last Still Life, 1940. This painting was among those left in the artist’s Bern studio in Kistlerweg after his death. Felix Klee, son of Paul Klee, retrospectively called it »Das letzte Stilleben« [The last still life], a description which has become its title.

Paul Klee 'Around the Fish'