Italian Artist Vincenzo Barbato (1886-1968)

Marina with boats

Gustave Vidal (1895-1966) French Painter

Gustave Vidal - La route au printemps

Gustave Vidal - Pecheurs En Bord de Mediterranee

Route sur la côte

British Painter William E. Wigley (b.1880)

Italian Impressionist Painter Pietro Scoppetta (1863-1920)

As a student of James Chirico, Pietro Scoppetta studied in Rome, Paris and London. Influenced by the French Impressionists, the artist developed his own style. His favorite subjects were the views of Naples, female portraits of the Belle Époque, urban landscapes, especially of Paris.

La Joie De Vivre

Portrait of Vittoria Lepanto

German Painter Hans Wagner (1885 - 1953)

Dalmatian Coast

Italian Painter Gennaro Befani (1866-1949)

The Parasol. Italian Painter Gennaro Befani

Jeunesse 1922

Dutch Painter Paul Arntzenius (1883-1965)

Paul Arntzenius. A Village, 1914

Paul Arntzenius. Still Life, 1943

Paris Street Scenes by Childe Hassam (1859 – 1935) American Impressionist Painter

Carriage Parade


At the Florist

April Showers, Champs Elysees, Paris

Figurative Painting by Theodoor-Josef Verschaeren

Belgian painter, graphic artist and playwright, (1874-1937)

Still Life Painting by French Artist Maurille Prevost

Bouquet of Flowers and a Cat

Maurille Prevost (born in Paris, 1929) studied at l'École des Beaux Arts. Having received her degree, the artist started painting the old streets of Paris and developed her own distinctive style.

Apple Tree

Flowers, Fruits and a Cat

Poppies

Montmartre

Two Bouquets

Paul Klee (1879–1940): "I cannot be understood at all on this earth."

Paul and Lily Klee, Bern, 1935

Paul Klee was born in Münchenbuchsee near Bern. His father, Hans Klee and his mother Ida Maria Frick were musicians; and Klee himself was a talented violinist.
Klee studied drawing and painting in Munich for three years (1898–1901). In 1911 he became involved with the German Expressionist group Der Blaue Reiter (The Blue Rider), founded by Wassily Kandinsky and Franz Marc. Klee and Kandinsky were lifelong friends. Although Klee worked in relative isolation, experimenting with various styles and media. His work was influenced by the Cubism of Pablo Picasso and Georges Braque, and the abstract translucent color planes of Robert Delaunay.

Paul Klee 'Hermitage' 1918, watercolor

Paul Klee

The turning point in his life and career was his traveling to Tunisia in 1914 with his artist friends August Macke and Louis Moillet, and lives in Tunis and Kairouan. Klee discovers colour. There Klee gradually detached color from physical description and used it independently, which gave him the final needed push toward abstraction. “Color possesses me. I don't have to pursue it. It will possess me always, I know it. That is the meaning of this happy hour: Color and I are one. I am a painter.” The view of the mosque in Hammamet with Its Mosque demonstrates Klee's path toward abstraction. He had turned his back to nature and never again painted after the model. Preoccupied with the ring of words, titles played a major part in his work - his titles set up the perspectives from which he wanted the works to be seen.

Paul Klee - Southern (Tunisian) Gardens, 1919

In 1920 Klee was invited to join the faculty of the Bauhaus - the school of architecture and industrial design functioning first in Weimar (1919–25) and then Dessau (1925–32) where he taught 10 years. In 1931 Klee started teaching painting at the Academy of Fine Arts in Düsseldorf. In 1933, Paul Klee was defamed by the Nazi regime as a “degenerate artist”, and left Düsseldorf to immigrate to Bern with his wife Lily Klee-Stumpf. His son Felix Klee (born 1907), a theatre and opera director, remains in Germany, together with his wife Euphrosine Klee-Grejowa. Personal hardship and the increasing gravity of the political situation in Europe are reflected in the somber tone of his late work.

Last Still Life, 1940. This painting was among those left in the artist’s Bern studio in Kistlerweg after his death. Felix Klee, son of Paul Klee, retrospectively called it »Das letzte Stilleben« [The last still life], a description which has become its title.

Paul Klee 'Around the Fish'